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Volume I | Issue 1 | June 2021

Garbha Kṛti-s of Saṅgīta Sāhitya Kaḷānidhi Śrīmān.Ch.Kṛṣṇamācạ̄rya - Dr.C.P.S.Madhuri
A comparative study of the Janya rāga-s in the Rāgalakṣaṇa of Muddu Vēńkaţamakhī with special reference to the lakṣaṇa gīta-s in Sańgītasampradāyapradarśini of Subbarāma Dīkṣitar - Dr. R. Hemalatha
Ripples in the Moves: Choreographing the group in Rukmini Devi’s Pancāpsara sarōvara- The Lake of the five Water Nymphs- Dr. Radhika Puthenedam
The Contribution of Tamil Composers to the Musical Form Gīta - Dr. S. Vijayalakshmi
Pāḍaprakaraṇam of Saṅgīta Candrikai - Dr. M Subhasree
Comparative Analysis of Nōṭṭusvara-s given in Oriental Music in European Notation with those in Prathamābhyāsa Pustakamu - Aishwarya Shankar
Collukaṭṭu Syllables used in Kauttuvam and Śabdam-s in Bharatanāṭyam and Kūcipuḍi - P. Mythili
Establishing the authorship of Mārgadarśi Śēṣayyaṅgār’s compositions - Dr. Srividhya R. S. Iyer
Dhruva-s and Daru-s - Indu B.S
Roots of Carnatic Music in Sri Lanka – Artistic interrelations between Sri Lanka and South India - Dr. Suhanya Aravinthon
Saṁskṛt Compositions Themed on the Nava Graha-s - Sudha R.S. Iyer

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