Browse Items (1 total)
- Abstract is exactly "<div class="page" title="Page 1">
<div class="section">
<div class="layoutArea">
<div class="column">
<p><span>Varṇam, as a musical form in Karnāṭaka Music, is seen in several South Indian music publications. The Saṅgīta-saṁpradāya-pradarśini (SSP), 1904, authored by Subbarāma Dīkṣita is one such publication, in which notations to many musical forms, including varṇam-s, are seen. The varṇam-s in SSP are composed in different rāga-s (melodic entity), set to different tāla-s (temporal framework) and are composed in different time periods. It is observed that features like sāhitya (lyrics), jati (syllables), rāga phrases, eḍuppu (commencement of melody in a tāla) etc. in different varṇam-s could be different in different time periods. </span></p>
<p><span>This paper is a study of varṇam-s in the SSP, by composers prior to the Musical Trinity</span><span>1</span><span>. The composers of varṇam-s in SSP are grouped into Musical trinity composers, those before the Musical Trinity (pre- trinity) and those after the Musical Trinity (post – trinity) for the purpose of study. There are 15 pre – trinity varṇam-s studied in this paper. In addition, two varṇam-s composed by pracīna-s (ancient composers) and pūrvaka-s (ancestral composers) are also studied with an aim of estimating the period in which they were composed. Rāga analysis does not fall in the scope of this study. </span></p>
</div>
</div>
</div>
</div>"
Sort by:
