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Smṛti - A Bi-Annual Peer Reviewed Journal on Fine & Performing Arts
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Browse Items (6 total)

  • Tags: Raga
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Vachika Abhinaya As A Tool To Evoke Rasa In Bharatanatyam – With Special Reference To Ragas

5. Vachika Abhinaya As A Tool To Evoke Rasa In Bharatanatyam – With Special Reference To Ragas .docx - Google Docs.pdf

Tags: Bharatanatyam, Emotions, Raga, Rasa, Vachika Abhinaya

Saṅgīta Ratnāvali

11.  Sańgīta Ratnāvalī.docx.pdf

Tags: Nada, Nrtya, Prabandha, Prakarana, Raga, Sangita, Tala, Vadya

Navagraha Compostions of Muddusvāmi Dikṣita and Tañjāvūr K Poṉṉayyā Piḷḷai

1. Navagraha Compostions of Muddusvāmi Dikṣita and Tañjāvūr K Poṉṉayyā Piḷḷai.docx (1).pdf

Tags: aksara, anupallavi, aroha, avaroha, avarta, bhasanga, carana, catusra jati rupaka, dhrtam, Diksita, jaru, kalapramana, karvai, kirtana, Laghu, madhyamakala, mandra, Mela, navagraha, padal, pallavi, Ponnayya Pillai, Raga, rupakam, sahitya, sthayi, surati, surutti, svara, svaraksara, Tala, talam, Tanjavur Quartet, tara

Śrīrāga – An Overview

5. Sri Raga - An Overview.docx.pdf

Tags: Ghana raga, Kharaharapriya, Lakshana grantha, Raga, Raga Lakshana, Sriraga

Garbha Kṛti-s of ‘Saṅgīta Sāhitya Kaḷānidhi’ Śrīmān. N. Ch. Kṛṣṇamāc̣ārya

1. Garbha Kṛti-s Of ‘Saṅgīta Sāhitya Kaḷānidhi’ Śrīmān N. Ch.Kṛṣṇamāc̣ārya.docx.pdf

Tags: Garbha Kriti-s, Krishnamacharya, Raga, Tala, Vaggeyakara

Analysis of Sri Subrahmanyaya Namaste of Muthuswami Dikshitar in Kamboji raga

1. Analysis of Sri Subrahmanyaya namaste  of Muthuswami Dikshitar in Kamboji raga.docx.pdf

Tags: Kamboji, Muthuswami Dikshitar, Raga, Sangita Sampradaya Pradarshini, Subbrama Dikshitar, Subrahmanya

Featured Item

Ṭhāya – A Pre-Modern Era Musical Form – With Special Reference To Its Adaptation Into The Classical Dance Tradition Of Karnāṭaka

1. Dr. Padmini Shreedhar - Ṭhāya – A Pre-Modern Era Musical Form – With Special Reference To Its Adaptation Into The Classical Dance Tradition Of Karnāṭaka.docx.pdf
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  • ISSN: 2583-0309
  • Submission Guidelines
    • Indic Script Transliteration Guide
  • Publication Policy
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  • Submit a Paper

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Rajshri Ramakrishna
The Department of Indian Music
School of Fine & Performing Arts
University of Madras, Chepauk
Chennai, Tamil Nadu, India - 600 005
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